Papers and Publications

(Peer Adjudicated)

“Metric Conflict in the First Movement of Bartok’s First Piano Concerto,” paper presented to the Canadian University Music Society, Ottawa, Ontario, 2 June 1993.

“Two Etudes in the Evolution of Twelve‑Tone Tonality,” paper presented to the Ninth Annual Meeting of the Society for Music Theory, Bloomington, Indiana, 8 November 1986.

(Other Publications)

“Adventures of Composerman®,” Rhubarb, Summer 2015, 14-17.

“Quality of Life and the Motivation of Music Composers,” Encyclopedia of Quality of Life and Well-Being Research, ed. Alex C. Michalos, 5331-5333. London: Springer, 2014.

“Book Review: “John Weinzweig: Essays on His Life and Music,” Edited by John Beckwith and Brian Cherney,” Intersections, vol. 30/2 2010, 117-119.

“Form in the post-modern post-classical age,” Ecclectica (2009)

“Cooking with Carrabré” Overture, the Music Magazine of the Winnipeg Symphony Orchestra, 2004-2005.

“Liner notes,” for a compact disc recording of music by Michael Matthews, 1999.

“Why Twelve-Tone Tonality,” International Journal of Musicology, Festschrift for George Perle, ed. Gary S. Karpinski, vol.4, 191-199, 1996.

“Sing to Me Only With Thine Blood,” (Randolph Peters’ Nosferatu) Border Crossings, April, 1994, 23-25.

“New Music in Manitoba,” Soundnotes, SN6 Spring/Summer, 1994, 22-28.

“Searching for Maestro Goodbars,” Border Crossings, Summer 1988, 6‑8.

“MB Viola Concerto Debuts ‑ Robert Turner’s Viola Concerto,” Circuit, May 1988.

“Sounding Language,” (Michael Matthews) Border Crossings, Spring 1988, 42‑43.

“George Perle ‑ Work List,” The New Grove Dictionary of American Music, ed. H. Wiley Hitchcock and Stanley Sadie, vol.3, 537‑538. London: MacMillan, 1986.