Conference Papers

 

Schumann’s Early Experiments in Sonata Form
Arlington, VA – Society for Music Theory Annual Conference
2017
The Piano Sonatas of Schumann and Brahms: Approaching Analysis Through Aesthetics
Strasbourg, France – EuroMAC 2017
2017
Aesthetics and Analysis of Early-Career Compositions
Winnipeg, Manitoba – Music Research in Manitoba Symposium
2016
Developing Subjectivity in Mozart’s Don Giovanni
Ottawa, Ontario  – Canadian University Music Society Annual Meeting
2015
Schubert and Sonata Rhetoric
Leuven, Belgium – EuroMAC 2014
2014
Schumann’s Re-imagining of Sonata Form
St. Catharines, Ontario – Canadian University Music Society Annual Meeting
2014
A Quest for Self – Reinterpreting Don Giovanni
Ottawa, Ontario – AMS New York State – St. Lawrence Chapter Annual Meeting
2013
Expérience en forme sonate – Schumann et la forme télescopée
Sackville, New-Brunswick – Canadian University Music Society Annual Meeting
2011
Momigny et le dialogue maître-élève : Pédagogie et politique dans un traité de musique
Brussels, Belgium — Entretiens d’artistes. Musique, cinéma & arts plastiques. Colloque interdisciplinaire
2010
A Different Kind of Wegweiser: Use of Formal Markers in Schubert’s Late Sonatas
Southampton, U.K. — 16th Biennial Conference on Nineteenth-Century Music
2010
L’Emploi des marqueurs formels dans les sonates de Schubert
Ottawa, Canada — Canadian University Music Society Annual Meeting — Proctor Prize Winner
2009
Gothic Structures and Musical Compositions (with Noelle Chao)
Thessaloniki, Greece — Conference on Interdisciplinary Musicology (CIM08)
2008
Continuations: The Tradition of Sonata Form in the Nineteenth Century
London, U.K. — Words and Notes in the Nineteenth Century
2007
L’Esthétique de la forme sonate 1800-40: Une Réhabilitation
Toronto, Canada — Canadian University Music Society Annual Meeting
2006
Rupture et continuité
Montréal, Canada — Launch of Musiques : Une Encyclopédie pour le XXIe siècle, vol. 4 (dir. J.-J. Nattiez)
2006
Drame et religion: d’Indy, Les Béatitudes et la musique sacrée
Montreal, Canada — Colloque de l’OICM : Musique, arts et religion dans l’entre-deux-guerres
2006
The Sacred and the Religious: Exclusion and the Formation of Categories
Honolulu, U.S.A. — Hawaii International Conference on Arts and Humanities
2006
Apotheosis and Cyclical Form in Franck’s Late Style
London, Canada — Canadian University Music Society Annual Meeting
Dublin, Ireland — Dublin International Conference on Music Analysis
2005