In the Archives
Once completed it will be available for viewing by subscribers of BELLMTS Television on that broadcaster’s Stories From Home download site. A premiere screening of the series, open to the general public, will take place at the Evans Theatre, Brandon University Saturday June 2, 2018. I hope you can attend.
On 3 October 1978 the creator of these images wrote in his journal that for two years he had been taking photographs designed to capture the open spaces and big sky of the eastern prairies.
But they were also composed to evoke nostalgia. Collectively, the photographs convey a visual elegy, a lament for a passed era.
This segment of In The Archives examines the elegiac images and text of Lawrence Stuckey’s account of rural southern Manitoba.
A stock breeder by profession, in 1897 J. D. McGregor travelled to the Klondike as a Mines Inspector courtesy an appointment by Clifford Sifton, Minister of Interior in the Canadian government. This segment of In The Archives explores Klondike gold rush era images of Skagway, Dawson City, the Chilcott and White passes assembled by McGregor during his time in the Klondike.
This segment of In The Archives displays the work of turn of the century (c. 1900), British trained photographer Edward Walker who settled in western rural Manitoba and created a comprehensive documentary record of the people and environs of a village on the Upper Assiniboine.
Walker was born in England in 1836. He emigrated to Canada in 1895, and landed up on the Assiniboine at a place called Millwood.
This segment of In The Archives examines how images taken at the of the Strand Theatre (Brandon, Manitoba) during World War II helped to shape the imaginative world of Brandonites at war. This is a case study – a local version – of the character of North American mass entertainment culture 1939-45.
At some point, Hazel Thomas, a Strand employee during this era, was given custody of these photographs. They were donated to the Daly House Museum after Hazel died in 1993.
Baldur Manitoba circa 1900 is the focus of this segment of In the Archives.
The complex imagery of the James Wall Collection conveys a unique sense of place and time. A few of these images were created in a professional photographer’s studio, but the origin of the majority remains a mystery. Nor do we have any reliable information about who assembled these images into a collection